Puerto Rican Music

reply to 2 students writing, so that is all i need. here is what he had to say about it :


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In this past DB Forum #1 I was somewhat surprised by the quality of the responses to the postings of other students. I’ve contacted one of your fellow student and she’s given me permission to share with the class her responses, so that they serve as models as to what I’m expecting. Here are the two responses she wrote:

Response #1
I think you did well targeting the questions that were being asked to include in the writing, however, I would have liked to read a bit more analysis on bomba. You included that bomba was racialized and stigmatized for being too African – I think you could have expanded a bit more on that. I also like that you mentioned the Institute of Puerto Rican culture because the institute is known to mark a certain “identity” on Puerto Rico, especially on bomba, to make it look more formal in order for it to be accepted. I think that was an interesting part of the reading by Halbert to see the phases that bomba was going through with it being promoted as folklorized, and then the bomberos not wanting bomba to fall into corporate because then these companies will profit off cultural nationalism. So to me, it sounded like a challenge because it was as if bomba could only fall into one category. Either folklorized, a form of cultural nationalism where it might lose its authenticity, or preserve it as a part of the island’s history and keep it traditional among the bomberos and people who actually appreciate the genre. But overall, even though bomba has evolved over time, it definitely has impacted many other music genres.

Response #2
I like that you included the history of bomba in your writing and its influence on Puerto Rican music. Although I would have to disagree that the singer flows with the drummer and that the band challenges the dancer and singer. From what I recall from the reading, I believe the main focus of bomba is the dancer and drummers, and that it is the dancer who challenges the lead drummer to keep up with the dancer’s steps on the drum. While bomba had negative views and it was being put down by writers and authors, I would have liked to know from your writing how it managed to survive after being labeled as filthy and too adulterated, and the phases that bomba went through after the Institute folklorized the genre.

One of her responses has a little over 200-words, the other close to 130. However, in what they shine is in that the responses directly analyze what the other student posted. While they mention what she liked of the analysis, in specifics and not in generalities, the response clearly suggest what she thinks is missing and needs improvement in the essays. Please study them carefully and try to emulate them! “

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